All Entries Tagged With: "Rick Elice"
Rick Elice’s Peter and the Starcatcher in Previews
Peter and the Starcatcher, created by Rick Elice (The Addams Family, Jersey Boys), Roger Rees (The Life and Adventures of Nicholas Nickelby, [soon to be] The Addams Family), and Alex Timbers (Bloody Bloody Andrew Jackson), is now in previews at New York Theatre Workshop. In the play, a company of 12 actors play some 50 characters on a journey to answer the century-old questions: How did Peter become The Boy Who Would Not Grow Up?
Broadway friend Pamela Singer saw the show last week and had this to say: Saw Rick Elice’s new play “Peter And The Starcatcher” last night. Brilliant, touching, and funny, not unlike the man himself. Rick is a genius and a mench!
Robert Simonson of Playbill.com wrote a fantastic article that gives insight into the background of the show, and the men involved. Click here to read that article.
Rick Elice Takes A Trip Down Memory Lane
A trip down memory lane for ‘Jersey Boys’ co-author
Posted by Don Aucoin, January 5, 2011 03:18 PM, Boston.com
The Colonial Theatre, Boston
When ”Jersey Boys” coauthor Rick Elice read in the Globe yesterday that his show had broken a weekly box-office record at the Colonial Theatre, pulling in $1.1 million for the week that ended Sunday, he got very excited - and not just for the financial reasons you’d expect.
It turns out that the Colonial has occupied a rather substantial place in Elice’s heart for decades.
“The Colonial is a theater that, for me, is one of the great places in the world,” Elice said today in a telephone interview. “It’s a beautiful, beautiful theater. I never dreamed that ‘Jersey Boys’ would play there, so I was very happy to hear that it broke the record.”
In the early 1970s, when he was a stage-struck teenager and Boston was still a significant tryout town for productions on their way to Broadway, Elice used to take the train from New York to catch shows at the Colonial. He remembers seeing Stephen Sondheim’s “Follies” there in 1971, and Sondheim’s “A Little Night Music” a couple of years later.
By 1980, Elice had become an actor, joining Robert Brustein’s brand-new American Repertory Theatre. He played Lysander in the ART’s inaugural production of “A Midsummer Night’s Dream,” directed by Alvin Epstein, with a cast that included Cherry Jones and Tony Shalhoub.
After its ART run, Elice says, the “Dream” production moved to the Wilbur Theater, which gave him a chance to walk up to Boylston Street and take frequent peeks at the Colonial. He recalls a production of “Sugar Babies,” starring Carol Channing, at the Colonial at the time.
He left the ART in 1981 to embark on a career in advertising, serving as creative director at a New York ad agency until 1999, then spent a decade as a creative consultant at Walt Disney Studios. One of his poker buddies was Marshall Brickman, a renowned comedy writer (Brickman co-wrote “Annie Hall,” “Sleeper,” and “Manhattan” with Woody Allen). Eventually, Elice and Brickman teamed up to write “Jersey Boys.”
Next month, “Peter and the Starcatcher,” Elice’s adaptation of an adventure novel by Dave Barry and Ridley Pearson, will open in New York.
But today, Elice had Boston on his mind. He noted that “Jersey Boys” also enjoyed a solid run last year at the Shubert Theatre, saying “Boston has been very good to us.” He added: “Whatever show is in the Colonial is somehow better because it’s at the Colonial. The show seems like the icing on a very beautiful cake that’s there all the time.”
It’s been two decades since he was last inside the Colonial (for a production of the musical adaptation of “Grand Hotel.”). But he plans to rectify that soon. “I’m going to Boston before the end of the month to see my ‘Boys,’ ” said Elice.
The Addams Family Musical An Entertaining Afternoon of Theatre
Catherine (me) and Rick Elice
Last weekend was a whirlwind of friends, parties, and great Broadway entertainment! AND I was able to spend some time with my favorite Broadway writer, Rick Elice. Rick is that rare breed of celebrity who is unassuming, humble and completely genuine. He is such a pleasure to know – one would never guess he has two of the top 10 shows currently running on Broadway.
While Saturday was all about Jersey Boys, Sunday was reserved for The Addams Family. I had second row center seats for the matinee – up close and personal - and I was a little bit nervous. There have been mixed reviews, not only from the critics, but from a few of the readers here on the blog, and I didn’t want to go in with any preconceptions about the show. So, I went in with an open mind, and I had a blast!
From the opening number “When You’re An Addams”, to the final curtain, I had a smile on my face and a laugh in my throat. I don’t want to get into a scene by scene analysis – that’s been done to death. I just want to share my thoughts.
Nathan Lane and Bebe Neuwirth were wonderful as Gomez and Morticia, two parents facing what all parents face when they realize that their baby is all grown up and about to leave the nest. Of course, not all parents face it in quite the same way! Bebe was gorgeous! Her flawless skin and deadpan expression were classic Morticia. She danced beautifully, and her “Just Around The Corner” was one of my favorite numbers. Nathan definitely lived up to the hype. His comedic timing is impeccable, and he had the audience in stitches.
Kevin Chamberlin was hilarious as the “moonstruck” Uncle Fester. He really got into his oddball personae, and the audience loved him.
Jackie Hoffman as Grandma was as hysterical as everyone says. Although her role was small, she made the most of each and every line, leaving the audience doubled over in laughter. At one point during “dinner”, she was obviously ad-libbing, talking about running the mara…mara…mara..thon (NY marathon was run that day), and the cast was laughing so hard, Bebe actually had to lay her head on the table so the audience wouldn’t see. Of course, being in the second row, I could see her head shaking!
As the tormented young couple, Wednesday Addams and Lucas Beineke, Krysta Rodriguez and Wesley Taylor were fantastic. They portrayed just the right amount of teenage angst, mixed with a craziness that comes with young love. Krysta’s voice was crystal clear, with a bit of a rock edge to it, and Wesley was a perfect accompaniment. Their “Crazier Than You” was another of my favorites. I’ll be keeping an eye on their careers, I’m betting they go far.
Carollee Carmello and Terrence Mann played Alice and Mal Beineke, Lucas’s “normal” parents from Ohio. If that’s normal, I’d hate to see odd. She with her bright yellow dress and rhyming speech, and he with his tough-guy “I won’t be pushed around” act (until I meet the right squid), were very entertaining, and they played the roles to perfection.
As Lurch, the mostly silent butler, Zachary James was brilliant. And Adam Riegler was terrific as Pugsley. He had a fantastic voice for such a young age, and was very enjoyable to watch. His sadness at realizing his sister was growing up and wouldn’t be around to “play” with him much longer was very touching.
And last, but certainly by no means least, the Ancestors were all superb. Each one had his/her own personality, they danced beautifully, and the way they were utilized onstage was ingenious.
On the top of my list of ”high points” has to be the set design. Congratulations to Julian Crouch and Phelim McDermott for a tremendous job! Basil Twist’s puppetry was also spectacular, adding a layer of creativity not seen in many shows. And, as usual, Rick Elice and Marshall Brickman wrote a great story, with a perfect mix of humor, seriousness, and Charles Addams absurdity.
“Just Around The Corner” and ”Crazier Than You” were my favorite musical numbers, with “When You’re An Addams” and the tango scene following close behind. Gomez had two ballady numbers that dragged a bit (for me), but Nathan performed them beautifully. And Uncle Fester and the moon, and Mal Beineke and the squid were a bit over the top, but hey, this is the Addams Family - they are over the top!
Please bear with me while I vent….I know this is a family friendly show, and yes, they sell candy at the concession stand, but people, this is a high dollar Broadway show, not a movie theater. Please have the courtesy to NOT open loud candy wrappers, slurp noisily on lollipops, or rifle through your shopping bags in the middle of the performance (yes, I experienced all of this within two rows of me, and the perpetrators were all adults.) This is not only rude to your fellow audience members, but most especially to the cast.
I would like to say a huge thank you to the entire Addams Family ‘family’ for an exciting and entertaining afternoon of theatre!
Congratulations to Rick Elice and Marshall Brickman
Some of you may not realize that the co-authors of The Addams Family musical, Marshall Brickman and Rick Elice, also penned Jersey Boys, which just celebrated its 5th Anniversary on Broadway. I had the pleasure of attending the “Fan Party” hosted by Rick, and the Saturday evening performance. Oh what a day and night it was! Congratulations, Rick and Marshall, on your well-deserved honors over the event-filled weekend. And thank you for bringing such wonderful entertainment to Broadway!
Replacement Named for Nathan Lane in The Addams Family Musical
Well, it’s been discussed at length here on the Addams Family Blog….who will replace Nathan Lane when his contract expires in March? Readers weighed in, with suggestions all over the place - from Danny DeVito to Antonio Banderas. But the guessing game is over, for it has been announced that Tony winner Roger Rees will take over the role of Gomez Addams on March 22, 2011. And to add to this piece of good news, it has also been announced that Bebe Neuwirth will continue in her role as Morticia into the summer months. Congratulations to Mr. Rees, and to the entire cast of The Addams Family!
Mr. Rees, who is recognizable from many venues – he won a Tony Award for best actor in 1982 for the play “The Life and Adventures of Nicholas Nickelby”…he played the Sheriff of Rottingham in Mel Brooks’ 1993 film, “Robin Hood: Men in Tights”…he appeared in “The West Wing” from 2000-2005 as Lord John Marbury – is no stranger to The Addams Family family. He is currently working with Rick Elice, co-directing Elice’s Peter and the Starcatchers as part of the New York Theatre Workshop’s 2010-2011 season. And Mr. Rees is close friends with Bebe Neuwirth. The two are perhaps best known for their overlapping work on the NBC series “Cheers.” Mr. Rees was a frequent guest star on “Cheers” as Robin Colcord, a British playboy and love interest of bar manager Rebecca Howe, played by Kirstie Alley; Ms. Neuwirth played the chilly psychiatrist Lilith Crane on the show.
Nathan Lane fans, rest assured your favorite Gomez will continue in his role until March 6, giving you plenty of time to get yourself to the theatre! After Mr. Lane’s final show, understudies will play Gomez opposite Ms. Neuwirth until Mr. Rees joins the show on March 22.
Rick Elice To Be Celebrity Judge For “Scene It! New York” Competition
Congratulations to Rick Elice, who has scored a prestigious and exciting gig as a celebrity judge for the “Scene It! New York” musical competition. The performance contest, which will be held on September 23 at the Jerry Orbach Theater, is (according to its website):
a NEW competition featuring 8 of the best scenes from New Musicals written by aspiring composers; lyricists and librettists. The spirit of the competition is to foster the growth of new talent by providing an opportunity for industry insiders as well as the general public the chance to see and hear what the voices of tomorrow have to say. Each contestant will receive personalized constructive criticism from some of Broadway’s biggest insiders. The winner of Scene It! 2010 will receive a cash grant to assist in producing a full scale version of the selected musical.
What a fabulous opportunity for these contestants to receive critiques from not only Mr. Elice, who has two VERY successful shows running on Broadway at the moment (Jersey Boys, The Addams Family), but an entire panel filled with creative genius.
Another great example of Broadway talent giving back to their “community.”
For more information, visit the Scene It! website.
“The Addams Family” Visits Borders at Columbus Circle
On Friday, May 14th, Borders Columbus Circle will present “The Addams Family: From Page to Stage”. At the event, Sarah Henry, curator of the Charles Addams Exhibit at the Museum of the City of New York, will lead a discussion with The Addams Family creative team members Andrew Lippa (Composery/Lyricist), Rick Elice and Marshall Brickman (Book Writers). Joining them will be Kevin Miserochhi, author of the new collection of Charles Addams drawings entitled “An Evilution”.
The event will begin at 5pm with a discussion of the show’s development, as well as a performance by Tony nominee Kevin Chamberlin, and members of The Addams Family cast.
The Addams Family Nominated for Drama League Awards
Kelsey Grammer and Bebe Neuwirth announced Drama League Award nominees, live at Sardi's
On April 20, 2010, Bebe Neuwirth (The Addams Family) and Kelsey Grammer (La Cage aux Folles) announced nominations for the 76th Annual Drama League Awards, to be presented at a ceremony and luncheon May 21 in the Grand Ballroom of the Marriott Marquis Hotel in Times Square.
Among this year’s nominees:
DISTINGUISHED PRODUCTION OF A MUSICAL
The Addams Family
Book by Marshall Brickman and Rick Elice; Music and Lyrics by Andrew Lippa (Lunt-Fontanne Theatre)
DISTINGUISHED PERFORMANCE AWARD
Nathan Lane, The Addams Family
In addition to this year’s nominees, nine past recipients of the Distinguished Performance Award will be honored for their work this season. However, because an individual can only receive the Distinguished Performance Award once in his/her lifetime, they are ineligible for award consideration this year. Among those past honorees will be Bebe Neuwirth of The Addams Family.
The Drama League announced earlier this Spring that among it’s special recognitions, Nathan Lane will receive the Distinguished Achievement in Musical Theatre Award.
Great honors, indeed. Congratulations to The Addams Family!
Click here to view a list of all nominees.
“The Addams Family” – WORD OF MOUTH
The Addams Family can’t rely on the critics, so it’s up to the fans of the show to show their support through WORD OF MOUTH.
CLICK HERE to visit the WORD OF MOUTH post. Scroll to the bottom and click “Comments” to share your thoughts or experiences of “The Addams Family” on Broadway, and to read others’ experiences.
Opening Night of “The Addams Family” Musical
Opening Night … in pictures, courtesy of broadwayworld.com
Critics Aren’t Raving, but Audiences Love The Addams Family!
Yes, it is every producer’s goal to win the approval of the critics, but ultimately it’s up to the “real” people, the audiences, the ticket purchasing public to make or break a show. And from what I’ve read, audiences are LOVING the kooky Addams Family musical. And at the end of the day, isn’t that what makes a successful show - audiences that walk out of the theatre smiling and humming and happy? So if the creative team of the Addams Family musical can’t rely on the critics, then it’s up to the fans to show their support through WORD OF MOUTH.
Below is the “Word of Mouth” Review from Broadway.com, where REAL people review the show.
If you’ve seen the show, or just want to offer your support of the show, please leave a comment here and let the world know how you feel about The Addams Family on Broadway. And if you have pictures you’d like to share, please e-mail them to afblog@comcast.net, and I’ll get them put up here.
(Comments are threaded, so you can leave a “stand alone” comment, or reply to someone else’s comment.)
Addams Family Musical Stars Chat with USA Today
by Todd Plitt, USA Today
‘Addams Family’ stars: Kooky, spooky, in no way spoofy
By Elysa Gardner, USA TODAY
NEW YORK — Nathan Lane and Bebe Neuwirth may be dressed in black — a color also favored by Gomez and Morticia Addams, whom they play in the new Broadway musical The Addams Family— but there’s not a whiff of the macabre in the stars’ relaxed conversation.
And perhaps that’s fitting. Based on the Charles Addams cartoons that inspired the hit TV series of the 1960s, this new adaptation — with a book by Jersey Boys librettists Marshall Brickman and Rick Elice and a score by Andrew Lippa— presents a happy, loving family. “It’s just that everything they like happens to be the opposite of what ‘normal’ people like,” Lane says.
Chatting hours before a recent preview at the Lunt-Fontanne Theatre, where The Addams Family opens April 8, Lane and Neuwirth discuss the pressures and pleasures of bringing their iconic characters to the stage.
Q: When did you first become familiar with the Addams Family?
Neuwirth: I watched the show on television as a little girl, then discovered the cartoons when I got a bit older.
Lane: I watched the show first, too, and loved it.
Neuwirth: Did you want to be Gomez?
Lane: Nah, I didn’t project myself into it. I just thought it was really fun and different. It only ran for a couple of seasons, but they were obviously memorable.
Q: How about Morticia, Bebe? She’s the first character you’re creating for a new Broadway musical.
Neuwirth: I loved Morticia so much as a girl. I think many women love her; she’s really archetypal. So it’s very important to me that she’s represented properly — that she doesn’t have anything dopey to do or say, or anything that isn’t honest. I feel I have to take care of her.
Q: Word is that this show takes its spirit from Charles Addams’ cartoons. Is there anything that will surprise people who are only familiar with the TV series?
Neuwirth: Its depth.
Lane: Yes, I think we win them over with humor and then …
Neuwirth: Then we sock ‘em in the solar plexus!
Lane: People will expect to laugh and have a good time, but maybe not to be moved by it. But there are some very touching moments.
Neuwirth: The big musical theater moments are there, but they happen in a way that’s true to the Addams Family. There are no sequins on this stage. Nobody wears anything shiny.
Q: Gomez and Morticia are a pretty hot couple. How do you get that chemistry across?
Neuwirth (coyly): You’ll see. Look, these people love each other, they love their family. They love their pets. The boy (the Addams’ son, Pugsley, played by Adam Riegler) has a big lizard, but he loves it like a puppy dog.
Lane: It’s just great fun to be them, you know? For me, it’s been joyous to play someone who is so positive about everything. That’s the opposite of me.
Q: After the show’s run in Chicago last year, (veteran director) Jerry Zaks was brought in as a creative consultant. There was speculation that the darker, more sophisticated humor of the cartoons didn’t translate for audiences expecting to see the TV show replicated. Any truth to that?
Neuwirth: That had nothing to do with it. The show was very good in Chicago; we packed the house every night, and they stood up and cheered. But a good show can get better.
Lane: The producers felt we needed a fresh pair of eyes, and fortunately, Jerry agreed to work with us. And he’s been able to come in like a Jewish Ty Pennington and give us an extreme makeover. But that’s how shows have been created for years — friends give advice, people help.
Neuwirth: You go out of town, you make changes and it keeps evolving.
Lane: Of course, this is a high-profile show, so everyone’s got an opinion. People say (affects a lofty tone), “It’s the most highly anticipated musical of the season.” It’s like you’re being set up for a fall. We’ve done a tremendous amount of work, and there’s more to come. A lot of fun, but a lot of work, too.
New And Improved Addams Family Musical Hits Broadway Running
photo by Matt Hoyle
Michael Riedel Can’t Get Enough of “The Addams Family”
It’s only been a month since New York Post gossip columnist Michael Riedel drew the ire of The Addams Family’s Nathan Lane and Rick Elice (see Lane and Elice react to Riedel’s Comments), but he’s at it again. In his latest article, Fast Lane to a better play, Riedel admits to being one of the vultures circling overhead the musical. And once again he relies on ”sources close to the show” to provide accusations such as “ Broadway’s top musical star (Lane) is, I’m told, pretty much calling the shots on this $15 million musical…”
While drawing attention to Riedel feels like reacting to a child throwing a temper tantrum, I just can’t help it. It’s so darned entertaining.
Click here to read the NY Post article.
Brickman and Elice’s Jersey Boys Chicago Run Comes To An End
Sunday was a sad day for the Chicago theater community, not to mention to Rick Elice and Marshall Brickman. Not only did they say goodbye to The Addams Family Musical, which finished up its eight week pre-Broadway try-out, but they also bid farewell to the Chicago run of Jersey Boys at the Bank of America Theatre. At its closing, the show had played 27 months – a total of 951 performances – and been seen by 1.3 million patrons.
Chris Jones, of the Chicago Tribune, Theater Loop Blog had this to say about the Jersey Boys closing: “…while all closings are emotional, there’s no question that Jersey Boys, which has been kept in top form and looked as good Sunday as on its opening night, exceeded all reasonable expectations in Chicago and proved that shows other than Wicked could sit down here and thrive.
Rick Elice and Marshall Brickman, the authors of (conveniently) both Jersey Boys and The Addams Family, took the stage at the Jersey Boyscurtain call, with Elice noting that ‘what we thought was going to be a 10-week stint’ had, in fact, turned into a run seen by 1.3 million people. ‘This has to be the most spectacular opening night I have ever experienced,’ Brickman joked, clearly moved by the emotion of the occasion.”
Congratulations to Rick and Marshall on the successful run of Jersey Boys in Chicago. May all their endeavors be so blessed!
