All Entries Tagged With: "Kevin Chamberlin"
The Addams Family Broadway Takes Final Bow
The Addams Family played its final Broadway performance on Sunday, December 31 after 725 performances and 34 previews.
Since beginning previews on March 8 2009, The Addams Family has been seen by more than 748,000 people. Prior to Broadway, The Addams Family played an 8 week engagement at the Oriental Theatre in Chicago, where it grossed more than $12 million, making it the most successful Broadway tryout in Chicago’s history.
The national tour of The Addams Family launched on September 15 at the Mahalia Jackson Theatre for the Performing Arts in New Orleans and is booked in more than 30 cities through 2012.
Get a look back at the production, from Chicago to Broadway and beyond, below!
Photo Credit: Joan Marcus (Broadway, Chicago); Jeremy Daniel (Tour)
The current Broadway cast of The Addams Family starred Brooke Shields as Morticia, Roger Rees as Gomez; Brad Oscar as Fester, Rachel Potter as Wednesday, Jackie Hoffman as Grandma, Zachary James as Lurch, Adam Riegler as Pugsley, Heidi Blickenstaff as Alice Beineke, Adam Grupper as Mal Beineke and Jesse Swenson as Lucas Beineke; the original Broadway cast included Nathan Lane and Bebe Neuwirth as Gomez and Morticia, Terrence Mann as Mal Beineke, Carolee Carmello as Alice Beineke, Kevin Chamberlin as Uncle Fester, Jackie Hoffman as Grandma, Zachary James as Lurch, Adam Riegler as Pugsley, Wesley Taylor as Lucas Beineke and Krysta Rodriguez as Wednesday.
New “FAMILY” Members to Arrive in March
from the BWW News Desk, Friday, February 4, 2011:
Blickenstaff, Grupper, Oscar, Potter & Swenson Join THE ADDAMS FAMILY
Heidi Blickenstaff
Adam Grupper
Brad Oscar
THE ADDAMS FAMILY welcomes five new principal cast members beginning Tuesday, March 8 at the Lunt Fontanne Theatre (205 West 46th Street) when Heidi Blickenstaff ([title of show]) assumes the role of Alice Beineke, Adam Grupper (Brighton Beach Memoirs) as Mal Beineke, Brad Oscar
(Tony-nominated for The Producers) as Fester, Rachel Potter (Wicked nat’l. tour) as Wednesday Addams and Jesse Swenson (Spring Awakening) as Lucas Beineke. Original cast members Nathan Lane, Kevin Chamberlin, Terrence Mann, Carolee Carmello, Krysta Rodriguez and Wesley Taylor will give their final performances on Sunday, March 6.
Rachel Potter
Jesse Swenson
click here to read BWW article
The Addams Family Musical An Entertaining Afternoon of Theatre
Catherine (me) and Rick Elice
Last weekend was a whirlwind of friends, parties, and great Broadway entertainment! AND I was able to spend some time with my favorite Broadway writer, Rick Elice. Rick is that rare breed of celebrity who is unassuming, humble and completely genuine. He is such a pleasure to know – one would never guess he has two of the top 10 shows currently running on Broadway.
While Saturday was all about Jersey Boys, Sunday was reserved for The Addams Family. I had second row center seats for the matinee – up close and personal - and I was a little bit nervous. There have been mixed reviews, not only from the critics, but from a few of the readers here on the blog, and I didn’t want to go in with any preconceptions about the show. So, I went in with an open mind, and I had a blast!
From the opening number “When You’re An Addams”, to the final curtain, I had a smile on my face and a laugh in my throat. I don’t want to get into a scene by scene analysis – that’s been done to death. I just want to share my thoughts.
Nathan Lane and Bebe Neuwirth were wonderful as Gomez and Morticia, two parents facing what all parents face when they realize that their baby is all grown up and about to leave the nest. Of course, not all parents face it in quite the same way! Bebe was gorgeous! Her flawless skin and deadpan expression were classic Morticia. She danced beautifully, and her “Just Around The Corner” was one of my favorite numbers. Nathan definitely lived up to the hype. His comedic timing is impeccable, and he had the audience in stitches.
Kevin Chamberlin was hilarious as the “moonstruck” Uncle Fester. He really got into his oddball personae, and the audience loved him.
Jackie Hoffman as Grandma was as hysterical as everyone says. Although her role was small, she made the most of each and every line, leaving the audience doubled over in laughter. At one point during “dinner”, she was obviously ad-libbing, talking about running the mara…mara…mara..thon (NY marathon was run that day), and the cast was laughing so hard, Bebe actually had to lay her head on the table so the audience wouldn’t see. Of course, being in the second row, I could see her head shaking!
As the tormented young couple, Wednesday Addams and Lucas Beineke, Krysta Rodriguez and Wesley Taylor were fantastic. They portrayed just the right amount of teenage angst, mixed with a craziness that comes with young love. Krysta’s voice was crystal clear, with a bit of a rock edge to it, and Wesley was a perfect accompaniment. Their “Crazier Than You” was another of my favorites. I’ll be keeping an eye on their careers, I’m betting they go far.
Carollee Carmello and Terrence Mann played Alice and Mal Beineke, Lucas’s “normal” parents from Ohio. If that’s normal, I’d hate to see odd. She with her bright yellow dress and rhyming speech, and he with his tough-guy “I won’t be pushed around” act (until I meet the right squid), were very entertaining, and they played the roles to perfection.
As Lurch, the mostly silent butler, Zachary James was brilliant. And Adam Riegler was terrific as Pugsley. He had a fantastic voice for such a young age, and was very enjoyable to watch. His sadness at realizing his sister was growing up and wouldn’t be around to “play” with him much longer was very touching.
And last, but certainly by no means least, the Ancestors were all superb. Each one had his/her own personality, they danced beautifully, and the way they were utilized onstage was ingenious.
On the top of my list of ”high points” has to be the set design. Congratulations to Julian Crouch and Phelim McDermott for a tremendous job! Basil Twist’s puppetry was also spectacular, adding a layer of creativity not seen in many shows. And, as usual, Rick Elice and Marshall Brickman wrote a great story, with a perfect mix of humor, seriousness, and Charles Addams absurdity.
“Just Around The Corner” and ”Crazier Than You” were my favorite musical numbers, with “When You’re An Addams” and the tango scene following close behind. Gomez had two ballady numbers that dragged a bit (for me), but Nathan performed them beautifully. And Uncle Fester and the moon, and Mal Beineke and the squid were a bit over the top, but hey, this is the Addams Family - they are over the top!
Please bear with me while I vent….I know this is a family friendly show, and yes, they sell candy at the concession stand, but people, this is a high dollar Broadway show, not a movie theater. Please have the courtesy to NOT open loud candy wrappers, slurp noisily on lollipops, or rifle through your shopping bags in the middle of the performance (yes, I experienced all of this within two rows of me, and the perpetrators were all adults.) This is not only rude to your fellow audience members, but most especially to the cast.
I would like to say a huge thank you to the entire Addams Family ‘family’ for an exciting and entertaining afternoon of theatre!
Nathan Lane and Kevin Chamberlin Eyeing New Roles?
NATHAN LANE MAY PLAY ‘THE NANCE’
By PATRICK HEALY, The NY Times Art Beat
October 5, 2010, 11:00 am
What’s next for Nathan Lane, after his Broadway run in “The Addams Family” ends in the spring? Mr. Lane is considering Douglas Carter Beane’s new play, “The Nance,” about a performer who played the role of the nance in burlesque shows in the early-20th century.
Nance, or nancy boy, is disparaging slang for an effeminate or homosexual man, and nances were popular theatrical figures, akin to blackface performers, during the 1920s and ’30s. Mr. Beane, in a telephone interview, said he held a reading of the play in his living room about a month ago with Mr. Lane, Benjamin Walker (“Bloody Bloody Andrew Jackson”), Daphne Rubin-Vega (“Rent”) and Kevin Chamberlin (“The Addams Family”), and that he was hoping to do a reading guided by a director at Lincoln Center Theater this season.
“Nathan is certainly interested, and was excited about the role,” said Mr. Beane, a Tony Award nominee for “The Little Dog Laughed” whose plays also include “Mr. & Mrs. Fitch” and “As Bees in Honey Drown.” “I’m hopeful. I think it’s the best thing I’ve ever done, in a weird way, considering it’s my first real period piece.”
Andre Bishop, artistic director of Lincoln Center Theater, said he was “very interested in producing ‘The Nance’ but nothing is firmed up yet in terms of where and when.” He added that Mr. Lane was interested in portraying the main character, who plays the nance in shows at the Irving, a downtown theater, during the era when Mayor Fiorello La Guardia was moving to ban burlesque in New York City.
Asked what about “The Nance” interested him, Mr. Bishop said: “The play has lots of hilarious old routines in it with lots of innuendo and double-entendres. But the play is also painful, as times and moral judgments changed. I think it is wonderful.”
Mr. Lane did not reply to two days of inquiries relayed by his publicist, Simon Halls. But Mr. Halls confirmed that Mr. Lane “loves the play and is excited by the prospect of doing it.”
The Addams Family Heads to the Recording Studio
The cast of Broadway’s The Addams Family (which stars Nathan Lane and Bebe Neuwirth as Gomez and Morticia, and includes Terrence Mann as Mal Beineke, Carolee Carmello as Alice Beineke, Kevin Chamberlin as Uncle Fester, Jackie Hoffman as Grandmama, Zachary James as Lurch, Adam Riegler as Pugsley, Wesley Taylor as Lucas Beineke and Krysta Rodriguez as Wednesday) will head to a Manhattan sound studio on April 19 to record the cast album of the new musical, with an expected release date of June 8.
According to Composer/Lyricist Andrew Lippa, the cast recording will include bonus tracks (yet to be revealed) that will be available digitally.
The opening night Playbill reveals the following list of musical numbers for The Addams Family:
ACT ONE
Overture
“When You’re an Addams”
“Pulled”
“Where Did We Go Wrong?”
“One Normal Night”
“Morticia”
“What If”
Full Disclosure”
“Waiting”
“Full Disclosure” – Part 2
ACT TWO
Entr’acte
“Just Around the Corner”
“The Moon and Me”
“Happy/Sad”
“Crazier Than You”
“Let’s Not Talk About Anything Else But Love”
“In the Arms”
“Live Before We Die”
“Tango de Amor”
“Move Toward the Darkness”
“The Addams Family” – WORD OF MOUTH
The Addams Family can’t rely on the critics, so it’s up to the fans of the show to show their support through WORD OF MOUTH.
CLICK HERE to visit the WORD OF MOUTH post. Scroll to the bottom and click “Comments” to share your thoughts or experiences of “The Addams Family” on Broadway, and to read others’ experiences.
“The Addams Family” A Critic-Proof Smash
This is a pretty long article, but it’s so good that I have to post it in it’s entirety. I found these excerpts to be of particular interest to fans of the show:
“…the musical has grossed $6.5 million in five weeks… and the producers are already planning a multicity national tour.”
“…(the) President of Group Sales Box Office, a major Broadway ticket seller, said …that “The Addams Family” remained the biggest ticket advance of any Broadway show that his company has sold this year.”
A scene from “The Addams Family,” featuring Bebe Neuwirth and Nathan Lane, which opened at the Lunt-Fontanne Theater.
Critics May Rant, but ‘Addams Family’ Rakes It In
By PATRICK HEALY, NY Times
Published: April 13, 2010
The new Broadway musical “The Addams Family” opened Thursday to the sort of scathing reviews that would bury most shows in the graveyard next to the Addamses’ forbidding mansion.
The result: The show sold $851,000 in tickets last weekend on top of a $15 million sales advance, huge figures for a new Broadway run, and all but guaranteeing that it will be hard to snag a pair of good orchestra seats until fall. After five months of well-publicized creative difficulties for the show, this seeming paradox amounts to a theater world version of the golden fleece: the critic-proof smash.
Hollywood, pop music studios and book publishers long ago mastered the art of assembling commercially successful products that critics hate. Theater is different: Only a fraction of shows turn a profit to begin with (about 30 percent on Broadway each year), and expensive tickets, fixed performance schedules and a finite potential audience for most live theater increase the importance of reviews.
Yet “The Addams Family” seems to have cracked a formula that to various degrees made long-running hits of “Jekyll & Hyde,” “Beauty and the Beast,” ”Mamma Mia!” and “Smokey Joe’s Cafe” after being dismissed by many critics. Such shows have tended to attract audiences already fond of their songs or characters.
That formula for “The Addams Family” includes a beloved brand-name title, a famous star, an inoffensive script, echoes of nostalgia and some savvy commercial judgments. The producers chose a theater with an unusually large number of orchestra seats, many of which they can sell at premium prices that top out at $300 apiece. And, in an unusual move for Broadway, they recruited five regional theaters as producing partners, spreading the financial risk while also having access to their subscribers and to those theaters for a national tour.
Kevin Chamberlin as Uncle Fester and Jackie Hoffman as Grandma performing onstage in “The Addams Family.”
While the creators promised to base the musical on Charles Addams’s mordantly sophisticated cartoons in The New Yorker, they ended up adding the theme song of the “Addams Family” television show for the audience to snap-snap along with before the curtain even goes up. In hopes of improving the show between a Chicago tryout and its Broadway run, they also added broad, sometimes goofy touches like a toupee-wearing Uncle Fester and a Grandma dressed like a Red Cross nurse — images that make some people laugh, but belie the darker spirit of the Addams cartoons for others.
The producers also built a marketing campaign that would cover all the bases, using images that would remind people of the cartoons, the television show, and the “Addams Family” movies. And the casting of Nathan Lane to play the paterfamilias Gomez, through at least next March, has been especially important to the musical’s fortunes, according to several theater producers not affiliated with the show, given that he is a popular actor with both theater- and film-goers.
“If Nathan Lane is in anything you already have my money in the till, and I imagine that there are thousands of others who feel the same,” said Michael Ritchie, artistic director of the Center Theater Group in Los Angeles, which is not associated with “The Addams Family.”
Whether the musical — which cost $16.5 million to mount on Broadway — can flourish without a well-known star like Mr. Lane is among the factors that will determine whether the show endures as critic-proof. Based on 26 major reviews for “The Addams Family,” including one in The New York Times, the theater Web site Stagegrade.com gave the show a median grade of D+. For now, however, the musical has grossed $6.5 million in five weeks — more than current hit musicals like “A Little Night Music,” “Billy Elliot,” “West Side Story” and “Wicked” did in their early weeks — and the producers are already planning a multicity national tour.
“We sought to create a musical that was not only very funny, but also surprised the audience by proving to be touching as well,” Roy Furman, one of the lead producers of the show, said in an interview by e-mail. “We are delighted that audiences have responded so strongly, as evidenced by nightly ovations, and word of mouth, which has sparked advance sales.”
Four years in the making, “The Addams Family” had a pre-Broadway tryout in Chicago last winter, drawing huge crowds but mixed reviews from critics there. Those reviews prompted Mr. Furman and the other lead producer, Stuart Oken, to hire the veteran Broadway director Jerry Zaks to take over the show from its two directors, the Broadway newcomers Phelim McDermott and Julian Crouch, and ostensibly fix “The Addams Family” before opening in New York.
Opening Night of “The Addams Family” Musical
Opening Night … in pictures, courtesy of broadwayworld.com
Critics Aren’t Raving, but Audiences Love The Addams Family!
Yes, it is every producer’s goal to win the approval of the critics, but ultimately it’s up to the “real” people, the audiences, the ticket purchasing public to make or break a show. And from what I’ve read, audiences are LOVING the kooky Addams Family musical. And at the end of the day, isn’t that what makes a successful show - audiences that walk out of the theatre smiling and humming and happy? So if the creative team of the Addams Family musical can’t rely on the critics, then it’s up to the fans to show their support through WORD OF MOUTH.
Below is the “Word of Mouth” Review from Broadway.com, where REAL people review the show.
If you’ve seen the show, or just want to offer your support of the show, please leave a comment here and let the world know how you feel about The Addams Family on Broadway. And if you have pictures you’d like to share, please e-mail them to afblog@comcast.net, and I’ll get them put up here.
(Comments are threaded, so you can leave a “stand alone” comment, or reply to someone else’s comment.)
Joe’s Pub A Hot Spot on May 3rd for Addams Family Fans
Kevin Chamberlin
At 9:30, two-time Tony nominee Kevin Chamberlin (Uncle Fester, The Addams Family) will offer Kevin Chamberlin and Friends Present: Broadway Sings TV . The show, which will benefit Broadway Cares/Equity Fights AIDS, will spotlight Chamberlain and other theatre performers singing TV theme songs from the 60s through the 90s.
As if that weren’t enough, following that show…..
Mitch Jarvis, Krysta Rodriguez, Wesley Taylor, Lauren Molina and Matt Doyle
THE ADDAMS FAMILY’s Wesley Taylor (Lucas Beineke) brings ‘Wesley & Friends’ to the stage at 11:30. Joining Wesley will be AF co-star Krysta Rodriguez (Wednesday Addams), along with friends Matt Doyle (Spring Awakening, Bye Bye Birdie), Mitch Jarvis (Fiddler on the Roof, Rock of Ages), and Lauren Molina (Sweeney Todd, Rock of Ages). The concert will feature pop tunes, show tunes and original tunes.
Joe’s Pub is located at 425 Lafayette Street, New York, NY. For ticket information, call (212) 539-8778, or click here to visit their web site.
New And Improved Addams Family Musical Hits Broadway Running
photo by Matt Hoyle
The Addams Family Musical Review “Recap”
Broadway In Chicago’s pre-Broadway world premiere presentation of The Addams Family, a new musical based on the bizarre family of characters created by legendary cartoonist Charles Addams, opened Wednesday, December 9 at the Ford Center for the Performing Arts’ Oriental Theater. The production continues in Chicago through January 10, and will play Broadway’s Lunt-Fontanne Theatre beginning March 4, with an anticipated opening date of April 8.
The musical stars Nathan Lane and Bebe Neuwirth as Gomez and Morticia Adams, with Kevin Chamberlin (Uncle Fester), Jackie Hoffman (Grandmama), Zachary James (Lurch), Adam Riegler (Pugsley), and Krysta Rodriguez (Wednesday) rounding out the “Family”. Playing the “family who comes to dinner” are Terrence Mann and Carolee Carmello as Mal and Alice Beineke, and Wesley Taylor as Lucas Beineke, Wednesday’s love interest.
The production features direction and design by Phelim McDermott and Julian Crouch, book by Marshall Brickman and Rick Elice, music and lyrics by Andrew Lippa, and choreography by Sergio Trujillo.
Wednesday night’s performance was attended by many critics whose reactions are mixed, but the consensus is decidedly positive. Excerpts of some of those reviews follow:
By Hedy Weiss, Theater Critic, The Chicago Sun Times
“…there is rarely a dull moment as each grand shock of the new, each adjustment to change, each recognition of aging and each surprising rebirth wraps its arms itself around the characters of “The Addams Family.”
By Chris Jones, Chicago Tribune
Share Your Experience
If you’ve seen The Addams Family Musical, please share your experience with others! Just post a comment to this article, and others can join in the ”conversation”. If you have pictures you would like to share, just e-mail them to afblog@comcast.net, and I will post them here.
Addams Family Portrait
The Addams Family Portrait, photo by Mark Seliger, "Vanity Fair" (Dec. '09)
From the December, 2009 issue of Vanity Fair: These Goulish Things. The Addams Family cast, from left: Adam Riegler as Pugsly; Krysta Rodriguez as Wednesday; Zachary James as Lurch; Kevin Chamberlin as Uncle Fester; Bebe Neuwirth as Morticia; Nathan Lane as Gomez; and Jackie Hoffman as Grandma.
