All Entries Tagged With: "Broadway"
Nathan Lane is Broadway.com’s #1 Superstar of the Decade
Broadway.com at 10: Top 10 Stage Superstars of the Decade
Features By Kathy Henderson, May 18, 2010
In the same way that Angelina or George Clooney can “open” a movie, a very short list of theater actors have the star power to attract producers (and audiences) on the strength of their name and talent alone. Broadway.com’s tenth anniversary is the perfect time to pay tribute to 10 stage superstars of the past decade—and to thank them for their loyalty to the Great White Way.
1. Nathan Lane
To borrow a lyric from his Tony-winning character Max Bialystock, Nathan Lane reigns as “the king of old Broadway.” After his triumph in The Producers (2001), Lane could have coasted through his pick of musical revivals, but he’s insisted on stretching his outsize talent in an impressive series of shows with nothing in common beyond his desire to bring them to Broadway: his own adaptation of The Frogs (2004), a smash-hit revival of The Odd Couple (2006), a black-comedy turn in Butley (2006), David Mamet’s satirical November (2008), an acclaimed revival of Waiting for Godot (2009) and now an irresistible performance as Gomez in the new musical The Addams Family. Wow! Where Nathan goes, audiences follow.
The following actors finish the list. To read the entire article, click here.
2. Patti Lupone
3. Kristin Chenoweth
4. Harvey Fierstein
5. Hugh Jackman
6. Liev Schreiber
7. Laura Linney
8. Angela Lansbury
9. Audra McDonald
10. Mary-Louise Parker
“The Addams Family” Visits Borders at Columbus Circle
On Friday, May 14th, Borders Columbus Circle will present “The Addams Family: From Page to Stage”. At the event, Sarah Henry, curator of the Charles Addams Exhibit at the Museum of the City of New York, will lead a discussion with The Addams Family creative team members Andrew Lippa (Composery/Lyricist), Rick Elice and Marshall Brickman (Book Writers). Joining them will be Kevin Miserochhi, author of the new collection of Charles Addams drawings entitled “An Evilution”.
The event will begin at 5pm with a discussion of the show’s development, as well as a performance by Tony nominee Kevin Chamberlin, and members of The Addams Family cast.
Speculating on an Addams Family National Tour
Patrick Healy’s recent NY Times article (see “The Addams Family” A Critic-Proof Smash) got me thinking about an Addams Family national tour. If and when the show goes on the road, what might be the first stop? I haven’t found any substantiating evidence on the subject, but if I was to speculate, I would start with FIVE CENT PRODUCTIONS.
Five Cent Productions, which shares an Addams Family Producer credit, is a managing member of Elephant Eye Theatrical. Its members are nationally renowned performing arts centers that are proactively developing new theatrical material for their own theaters and stages worldwide. Here’s a quick look at each of the Five Cent members:
♦♦ Bushnell Center for the Performing Arts of Hartford, CT, whose President and CEO, David Fay, is Five Cent’s managing member.
“Connecticut’s Premier Performing Arts Center”
The Bushnell’s upcoming shows include Porgy and Bess, South Pacific and Steve Solomon’s My Mother’s Italian, My Father’s Jewish & I’m STILL in Therapy. For more information, visit Bushnell’s website.
♦♦ The Citi Performing Arts Center of Boston, MA
“…one of the nation’s foremost nonprofit performing arts institutions”
Between their two theatres, the Wang Theatre and the Shubert Theatre, Citi’s upcoming shows are a mix of comedy (George Lopez and Conan) and music (Diana Ross and Celtic Thunder), with Jesus Christ Superstar and Dora the Explorer thrown in the mix. Click here to visit Citi’s website.
♦♦ The Ordway Center for the Performing Arts of St. Paul, MN
“crown jewel of Saint Paul”
The Ordway’s 2010-2011 season boasts such theatrical offerings as Evita, Joseph and The Amazing Technicolor Dreamcoat, Stomp, Next to Normal, Guys and Dolls, and 9 to 5 the Musical. Click here for more information.
♦♦ The Kimmel Center for the Performing Arts of Philadelphia, PA
“Premier performing arts groups reside in The Kimmel Center for the Performing Arts and the Academy of Music, forming an exciting community of artists, and an oasis for art lovers”
The Kimmel Center has an impressive 2010-2011 Broadway series on tap, which includes Jersey Boys, Les Miserables, In The Heights, Mary Poppins, South Pacific and Next to Normal. Visit their website for more information.
♦♦ Pittsburgh CLO
“Exceptional Musical Theater for More Than Half a Century”
Current and upcoming productions (between now and September) include Nunsense, Oliver, Miss Saigon, Curtains, The Producers, and Hairspray. Check out their website for more information.
(shared)
♦♦ Pittsburgh Cultural Trust
“The Pittsburgh Cultural Trust is a non-profit organization dedicated to the promotion and development of Pittsburgh’s downtown Cultural District.”
Click here for more information on the venues of the Pittsburgh Cultural Trust.
So, all of you in the areas of Hartford, Boston, St. Paul, Philadelphia and Pittsburgh, keep your eyes and ears open. And let us hear from you!
The Addams Family Nominated for Drama League Awards
Kelsey Grammer and Bebe Neuwirth announced Drama League Award nominees, live at Sardi's
On April 20, 2010, Bebe Neuwirth (The Addams Family) and Kelsey Grammer (La Cage aux Folles) announced nominations for the 76th Annual Drama League Awards, to be presented at a ceremony and luncheon May 21 in the Grand Ballroom of the Marriott Marquis Hotel in Times Square.
Among this year’s nominees:
DISTINGUISHED PRODUCTION OF A MUSICAL
The Addams Family
Book by Marshall Brickman and Rick Elice; Music and Lyrics by Andrew Lippa (Lunt-Fontanne Theatre)
DISTINGUISHED PERFORMANCE AWARD
Nathan Lane, The Addams Family
In addition to this year’s nominees, nine past recipients of the Distinguished Performance Award will be honored for their work this season. However, because an individual can only receive the Distinguished Performance Award once in his/her lifetime, they are ineligible for award consideration this year. Among those past honorees will be Bebe Neuwirth of The Addams Family.
The Drama League announced earlier this Spring that among it’s special recognitions, Nathan Lane will receive the Distinguished Achievement in Musical Theatre Award.
Great honors, indeed. Congratulations to The Addams Family!
Click here to view a list of all nominees.
The Addams Family Heads to the Recording Studio
The cast of Broadway’s The Addams Family (which stars Nathan Lane and Bebe Neuwirth as Gomez and Morticia, and includes Terrence Mann as Mal Beineke, Carolee Carmello as Alice Beineke, Kevin Chamberlin as Uncle Fester, Jackie Hoffman as Grandmama, Zachary James as Lurch, Adam Riegler as Pugsley, Wesley Taylor as Lucas Beineke and Krysta Rodriguez as Wednesday) will head to a Manhattan sound studio on April 19 to record the cast album of the new musical, with an expected release date of June 8.
According to Composer/Lyricist Andrew Lippa, the cast recording will include bonus tracks (yet to be revealed) that will be available digitally.
The opening night Playbill reveals the following list of musical numbers for The Addams Family:
ACT ONE
Overture
“When You’re an Addams”
“Pulled”
“Where Did We Go Wrong?”
“One Normal Night”
“Morticia”
“What If”
Full Disclosure”
“Waiting”
“Full Disclosure” – Part 2
ACT TWO
Entr’acte
“Just Around the Corner”
“The Moon and Me”
“Happy/Sad”
“Crazier Than You”
“Let’s Not Talk About Anything Else But Love”
“In the Arms”
“Live Before We Die”
“Tango de Amor”
“Move Toward the Darkness”
“The Addams Family” – WORD OF MOUTH
The Addams Family can’t rely on the critics, so it’s up to the fans of the show to show their support through WORD OF MOUTH.
CLICK HERE to visit the WORD OF MOUTH post. Scroll to the bottom and click “Comments” to share your thoughts or experiences of “The Addams Family” on Broadway, and to read others’ experiences.
“The Addams Family” A Critic-Proof Smash
This is a pretty long article, but it’s so good that I have to post it in it’s entirety. I found these excerpts to be of particular interest to fans of the show:
“…the musical has grossed $6.5 million in five weeks… and the producers are already planning a multicity national tour.”
“…(the) President of Group Sales Box Office, a major Broadway ticket seller, said …that “The Addams Family” remained the biggest ticket advance of any Broadway show that his company has sold this year.”
A scene from “The Addams Family,” featuring Bebe Neuwirth and Nathan Lane, which opened at the Lunt-Fontanne Theater.
Critics May Rant, but ‘Addams Family’ Rakes It In
By PATRICK HEALY, NY Times
Published: April 13, 2010
The new Broadway musical “The Addams Family” opened Thursday to the sort of scathing reviews that would bury most shows in the graveyard next to the Addamses’ forbidding mansion.
The result: The show sold $851,000 in tickets last weekend on top of a $15 million sales advance, huge figures for a new Broadway run, and all but guaranteeing that it will be hard to snag a pair of good orchestra seats until fall. After five months of well-publicized creative difficulties for the show, this seeming paradox amounts to a theater world version of the golden fleece: the critic-proof smash.
Hollywood, pop music studios and book publishers long ago mastered the art of assembling commercially successful products that critics hate. Theater is different: Only a fraction of shows turn a profit to begin with (about 30 percent on Broadway each year), and expensive tickets, fixed performance schedules and a finite potential audience for most live theater increase the importance of reviews.
Yet “The Addams Family” seems to have cracked a formula that to various degrees made long-running hits of “Jekyll & Hyde,” “Beauty and the Beast,” ”Mamma Mia!” and “Smokey Joe’s Cafe” after being dismissed by many critics. Such shows have tended to attract audiences already fond of their songs or characters.
That formula for “The Addams Family” includes a beloved brand-name title, a famous star, an inoffensive script, echoes of nostalgia and some savvy commercial judgments. The producers chose a theater with an unusually large number of orchestra seats, many of which they can sell at premium prices that top out at $300 apiece. And, in an unusual move for Broadway, they recruited five regional theaters as producing partners, spreading the financial risk while also having access to their subscribers and to those theaters for a national tour.
Kevin Chamberlin as Uncle Fester and Jackie Hoffman as Grandma performing onstage in “The Addams Family.”
While the creators promised to base the musical on Charles Addams’s mordantly sophisticated cartoons in The New Yorker, they ended up adding the theme song of the “Addams Family” television show for the audience to snap-snap along with before the curtain even goes up. In hopes of improving the show between a Chicago tryout and its Broadway run, they also added broad, sometimes goofy touches like a toupee-wearing Uncle Fester and a Grandma dressed like a Red Cross nurse — images that make some people laugh, but belie the darker spirit of the Addams cartoons for others.
The producers also built a marketing campaign that would cover all the bases, using images that would remind people of the cartoons, the television show, and the “Addams Family” movies. And the casting of Nathan Lane to play the paterfamilias Gomez, through at least next March, has been especially important to the musical’s fortunes, according to several theater producers not affiliated with the show, given that he is a popular actor with both theater- and film-goers.
“If Nathan Lane is in anything you already have my money in the till, and I imagine that there are thousands of others who feel the same,” said Michael Ritchie, artistic director of the Center Theater Group in Los Angeles, which is not associated with “The Addams Family.”
Whether the musical — which cost $16.5 million to mount on Broadway — can flourish without a well-known star like Mr. Lane is among the factors that will determine whether the show endures as critic-proof. Based on 26 major reviews for “The Addams Family,” including one in The New York Times, the theater Web site Stagegrade.com gave the show a median grade of D+. For now, however, the musical has grossed $6.5 million in five weeks — more than current hit musicals like “A Little Night Music,” “Billy Elliot,” “West Side Story” and “Wicked” did in their early weeks — and the producers are already planning a multicity national tour.
“We sought to create a musical that was not only very funny, but also surprised the audience by proving to be touching as well,” Roy Furman, one of the lead producers of the show, said in an interview by e-mail. “We are delighted that audiences have responded so strongly, as evidenced by nightly ovations, and word of mouth, which has sparked advance sales.”
Four years in the making, “The Addams Family” had a pre-Broadway tryout in Chicago last winter, drawing huge crowds but mixed reviews from critics there. Those reviews prompted Mr. Furman and the other lead producer, Stuart Oken, to hire the veteran Broadway director Jerry Zaks to take over the show from its two directors, the Broadway newcomers Phelim McDermott and Julian Crouch, and ostensibly fix “The Addams Family” before opening in New York.
Hoda and Kathie Lee Show “The Addams Family” Some Love
Visit msnbc.com for breaking news, world news, and news about the economy
Opening Night of “The Addams Family” Musical
Opening Night … in pictures, courtesy of broadwayworld.com
Critics Aren’t Raving, but Audiences Love The Addams Family!
Yes, it is every producer’s goal to win the approval of the critics, but ultimately it’s up to the “real” people, the audiences, the ticket purchasing public to make or break a show. And from what I’ve read, audiences are LOVING the kooky Addams Family musical. And at the end of the day, isn’t that what makes a successful show - audiences that walk out of the theatre smiling and humming and happy? So if the creative team of the Addams Family musical can’t rely on the critics, then it’s up to the fans to show their support through WORD OF MOUTH.
Below is the “Word of Mouth” Review from Broadway.com, where REAL people review the show.
If you’ve seen the show, or just want to offer your support of the show, please leave a comment here and let the world know how you feel about The Addams Family on Broadway. And if you have pictures you’d like to share, please e-mail them to afblog@comcast.net, and I’ll get them put up here.
(Comments are threaded, so you can leave a “stand alone” comment, or reply to someone else’s comment.)
Bebe Neuwirth Thrilled to be Playing Morticia
Bebe Neuwirth Revels in Playing the Macabre Matriarch in The Addams Family
By Beth Stevens,
BroadwayWorld.com
If you expect to encounter someone uptight and humorless when meeting Bebe Neuwirth, you will be surprised. She is not half as harsh as the characters she plays. With her loose curls (as opposed to the tight bun her character Lilith wore on Cheers and Frasier and the severe black wig she sported as Velma Kelly in Chicago) and easy laugh, the two-time Tony winner looks fresh and relaxed and she sips a Diet Coke on a chaise in her dressing room at the Lunt-Fontanne Theatre. It’s obvious that the recent newlywed is reveling in her return to Broadway in the deliciously fitting role of Morticia Addams in The Addams Family. The new musical, in which Neuwirth stars opposite Nathan Lane, opens on April 8, 2010. The actress took time out of her busy schedule of rehearsals and previews to chat with Broadway.com about being a dancer first and foremost, imagining how cartoonist Charles Addams’ macabre matriarch might move and the possibility of a wardrobe malfunction.
You seem born to play this role.
I have loved this character ever since I was a kid. I think I probably was exposed to Morticia via the sitcom first because I was a little girl in the ‘60s and watched it. Then sometime when I was a kid, I also saw the cartoons, so it’s thrilling for me to play this part that I’ve always wanted to play.
Did you look at the original Charles Adams cartoons a lot as you thought about playing Morticia?
Yes, I did. I tried to see what I could emulate about her physicality and what I could find that is useful in informing me of who she is. A lot of actors work from the inside out, but I think—probably because I’m a dancer first—that I’m an actress who works from the outside in. Frequently—not always. In the case of Morticia, I think it’s been very helpful to me to see how she sits and how she holds her arms [in the cartoons]. It makes you wonder how she would move.
Merwin Foard Happy To Be “The Guy Who Isn’t Nathan Lane”
Foard (left) starred as Lancelot in a regional production of Camelot with Terrence Mann (right) as Arthur. Mann, who originated the role of Javert in Les Misérables on Broadway encouraged Foard to audition for the role.
Broadway’s #1 Backup Plan
Written by Bryan Reesman
Mar 23, 2010
Merwin Foard keeps going on Broadway by making sure the Broadway show goes on.
He has had one of the most enduring and consistent Broadway careers of the last three decades, yet Merwin Foard may not be the most recognizable face on the Great White Way. The reason is simple: While Foard has performed his fair share of supporting roles and ensemble work, he is now regularly a standby or understudy for leading parts. He’s the one waiting in wings in case the lead happens to fall ill or cannot perform for any reason, occasionally balancing that with ensemble parts. His fourteenth and latest Broadway gig is as both Nathan Lane and Terence Mann’s understudy for The Addams Family, which recently opened in New York after an out-of-town run in Chicago. Foard has become Broadway’s seasoned back-up man, and he has fashioned a career from this unusual position.
Rebecca and Merwin Foard
Throughout the last decade Foard has landed a mixture of ensemble, understudy and replacement supporting roles in shows like The Little Mermaid, Assassins, Sweeney Todd and Kiss Me, Kate. As he will readily attest, it’s a fun life. Prior to The Addams Family invading the Great White Way, Foard spoke to Stage Directions about his history, the twists and turns of his highly unusual career path, juggling professional work with family time (he is married with two daughters, aged 11 and 16) and how he has sustained and evolved his craft over three decades.
Stage Directions: You’ve been an ensemble player for many shows, and you are the main understudy on Broadway lately.
Merwin Foard: I’m like the main second guy on Broadway. This is the third show I’ve been a standby for which I’m not in the ensemble. I’m a peripheral person on a contract, but if the star is down I’ll step in for them. Before Addams Family was the Sweeney Todd revival where all the actors played instruments, and before that was the Kiss Me, Kate revival, where I stood by for Brian Stokes Mitchell and Ron Holgate. Nathan Lane and Terrence Mann, who I standby for in Addams Family, are my 24th and 25th actors who I have either stood by for or understudied on Broadway.
Ultimately, what is that experience like?
Carolee Carmello Shares Her Cozy Addams Family Digs
from Broadway.com
Carolee Carmello, the flame-haired two-time Tony nominee, certainly knows how to make herself at home in a Broadway dressing room. The constantly working actress has inhabited a series of them in such diverse shows as City of Angels, Falsettos, 1776, The Scarlet Pimpernel, Parade, Kiss Me, Kate, Urinetown, Lestat and multiple stints in Mamma Mia!. Now Carmello has moved into a rosy (“the color is calming,” she notes) dressing room at the Lunt-Fontanne Theatre, where she is appearing as Alice Beineke, an uptight suburban mom at odds with the kooky, macabre family of the title, in the new musical comedy The Addams Family. The performer welcomed Broadway.com to her girly digs to show off five of her favorite personal items. Take a look!
“I included my wig [on this list] because whenever I am trying to figure out a character or work on a new part, the hair is always the key for me. Even from the very first audition, I like to figure out what the hair is going to be. Everything falls from the hair. I work from the outside in.”
“My family photos are here to remind me of the most important part of my life. They put everything into perspective.” [Pictured: Broadway actor Gregg Edelman and children Zoe and Ethan.]
“My laptop is my entertainment when I am offstage during the show: I like to play Scrabble and check my email. Right now, I am helping to work on a new website: www.caroleecarmello.com, which is launching in April, so I’m using it for that, too.”
“My running shoes are important because on these long days at the theater, I like to go running on my dinner break. It clears my head and forces me to use my dinner break for more than just eating dinner.”
“I made this silly, little table skirt about 11 or 12 years ago when I was doing 1776 at the Gershwin, and I’ve used it in all my dressing rooms since then. It’s kind of sentimental, but it also makes for great storage and hides a myriad of sins.”
Watch Krysta Rodriguez and Wesley Taylor on Seth’s B’way Chatterbox
On Thursday, March 18, Krysta Rodriguez and Wesley Taylor were guests on Seth Rudetsky’s live show, Seth’s Broadway Chatterbox. See the show here, courtesy of BroadwayWorld.com:
Addams Family Musical Stars Chat with USA Today
by Todd Plitt, USA Today
‘Addams Family’ stars: Kooky, spooky, in no way spoofy
By Elysa Gardner, USA TODAY
NEW YORK — Nathan Lane and Bebe Neuwirth may be dressed in black — a color also favored by Gomez and Morticia Addams, whom they play in the new Broadway musical The Addams Family— but there’s not a whiff of the macabre in the stars’ relaxed conversation.
And perhaps that’s fitting. Based on the Charles Addams cartoons that inspired the hit TV series of the 1960s, this new adaptation — with a book by Jersey Boys librettists Marshall Brickman and Rick Elice and a score by Andrew Lippa— presents a happy, loving family. “It’s just that everything they like happens to be the opposite of what ‘normal’ people like,” Lane says.
Chatting hours before a recent preview at the Lunt-Fontanne Theatre, where The Addams Family opens April 8, Lane and Neuwirth discuss the pressures and pleasures of bringing their iconic characters to the stage.
Q: When did you first become familiar with the Addams Family?
Neuwirth: I watched the show on television as a little girl, then discovered the cartoons when I got a bit older.
Lane: I watched the show first, too, and loved it.
Neuwirth: Did you want to be Gomez?
Lane: Nah, I didn’t project myself into it. I just thought it was really fun and different. It only ran for a couple of seasons, but they were obviously memorable.
Q: How about Morticia, Bebe? She’s the first character you’re creating for a new Broadway musical.
Neuwirth: I loved Morticia so much as a girl. I think many women love her; she’s really archetypal. So it’s very important to me that she’s represented properly — that she doesn’t have anything dopey to do or say, or anything that isn’t honest. I feel I have to take care of her.
Q: Word is that this show takes its spirit from Charles Addams’ cartoons. Is there anything that will surprise people who are only familiar with the TV series?
Neuwirth: Its depth.
Lane: Yes, I think we win them over with humor and then …
Neuwirth: Then we sock ‘em in the solar plexus!
Lane: People will expect to laugh and have a good time, but maybe not to be moved by it. But there are some very touching moments.
Neuwirth: The big musical theater moments are there, but they happen in a way that’s true to the Addams Family. There are no sequins on this stage. Nobody wears anything shiny.
Q: Gomez and Morticia are a pretty hot couple. How do you get that chemistry across?
Neuwirth (coyly): You’ll see. Look, these people love each other, they love their family. They love their pets. The boy (the Addams’ son, Pugsley, played by Adam Riegler) has a big lizard, but he loves it like a puppy dog.
Lane: It’s just great fun to be them, you know? For me, it’s been joyous to play someone who is so positive about everything. That’s the opposite of me.
Q: After the show’s run in Chicago last year, (veteran director) Jerry Zaks was brought in as a creative consultant. There was speculation that the darker, more sophisticated humor of the cartoons didn’t translate for audiences expecting to see the TV show replicated. Any truth to that?
Neuwirth: That had nothing to do with it. The show was very good in Chicago; we packed the house every night, and they stood up and cheered. But a good show can get better.
Lane: The producers felt we needed a fresh pair of eyes, and fortunately, Jerry agreed to work with us. And he’s been able to come in like a Jewish Ty Pennington and give us an extreme makeover. But that’s how shows have been created for years — friends give advice, people help.
Neuwirth: You go out of town, you make changes and it keeps evolving.
Lane: Of course, this is a high-profile show, so everyone’s got an opinion. People say (affects a lofty tone), “It’s the most highly anticipated musical of the season.” It’s like you’re being set up for a fall. We’ve done a tremendous amount of work, and there’s more to come. A lot of fun, but a lot of work, too.
