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Chicago sees The Addams Family National Tour Show as “significantly improved and far more satisfying”

Successfully remade ‘Addams Family’ adds the charm missing from Broadway version

 

Cast of The Addams Family

Cast of The Addams Family

Chris Jones
Theater critic, The Chicago Tribune 
1:32 p.m. CST, December 28, 2011

 

“The Addams Family” is not the first musical whose first national tour has been infinitely better than the Broadway production that gave birth to it: such past shows as “Big” and “The Civil War” were also greatly improved. But in most of these rare cases, different directors have retooled existing material. It’s hard to think of another show that has been revised so heavily and, for the most part, successfully, by its admirably indefatigable original authors and composer.

“The Addams Family” that return(ed) to Chicago…(did) not come with Nathan Lane, Bebe Neuwirth and the sense of must-see excitement and pumped-up pizazz that pervaded its pre-Broadway engagement at the Oriental Theatre in 2009. That’s the downside. But if Gomez, Morticia and the crew do not arrive like rock stars, this enjoyable if visually simplified national tour features many different songs from the Chicago tryout and a significantly improved and far more satisfying story.

And yes, it is plenty different enough that fans of the “Addams Family” franchise, especially those who have followed this show through its various traumas and trajectories (which we’ve extensively reported in these pages), might find it worth buying a cheap seat at the back and seeing what has gone on since Uncle Fester last fell in love with a Chicago moon. If you’re interested in seeing how multimillion-dollar shows can morph, you’ll find it quite fascinating. And I’ll guarantee you one thing: it won’t seem like the same show.

Finally, the director Jerry Zaks (who replaced Phelim McDermott during the first Chicago run) has been allowed to finish his kind of classic musical-comedy approach, most of the buzz-killing structural issues in the book have been resolved and, perhaps most importantly of all, everyone on the stage now comes off as sufficiently loose and relaxed that the zesty one-liners get to do their collective thing, and the show is actually allowed to be unpretentious and funny. This third shot at the piece by writers Marshall Brickman and Rick Elice and composer Andrew Lippa most certainly has the most charm and efficacy. If only everyone had started somewhere near here. But then, if this stuff were easy, everyone would do it.

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The Addams Family on Tour

tour castClick here to check out The Addams Family 2012 TOUR CALENDAR

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The Addams Family Broadway Takes Final Bow

The Addams Family played its final Broadway performance on Sunday, December 31 after 725 performances and 34 previews.

Since beginning previews on March 8 2009, The Addams Family has been seen by more than 748,000 people. Prior to Broadway, The Addams Family played an 8 week engagement at the Oriental Theatre in Chicago, where it grossed more than $12 million, making it the most successful Broadway tryout in Chicago’s history.

The national tour of The Addams Family launched on September 15 at the Mahalia Jackson Theatre for the Performing Arts in New Orleans and is booked in more than 30 cities through 2012.

Get a look back at the production, from Chicago to Broadway and beyond, below!

Photo Credit: Joan Marcus (Broadway, Chicago); Jeremy Daniel (Tour)

 

The current Broadway cast of The Addams Family starred Brooke Shields as Morticia, Roger Rees as Gomez; Brad Oscar as Fester, Rachel Potter as Wednesday, Jackie Hoffman as Grandma, Zachary James as Lurch, Adam Riegler as Pugsley, Heidi Blickenstaff as Alice Beineke, Adam Grupper as Mal Beineke and Jesse Swenson as Lucas Beineke; the original Broadway cast included Nathan Lane and Bebe Neuwirth as Gomez and Morticia, Terrence Mann as Mal Beineke, Carolee Carmello as Alice Beineke, Kevin Chamberlin as Uncle Fester, Jackie Hoffman as Grandma, Zachary James as Lurch, Adam Riegler as Pugsley, Wesley Taylor as Lucas Beineke and Krysta Rodriguez as Wednesday.

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Roger Rees talks “RSC” with Michael Riedel

Rees’ ‘Royal’ reminiscences
Recalling spears and beers from early days

by Michael Riedel, New York Post, On Broadway
Last Updated: 10:24 AM, July 22, 2011
Posted: 10:27 PM, July 21, 2011

The Royal Shakespeare Company’s in town — performing five shows in repertory at the Park Avenue Armory — so it seemed a fine time to talk with Roger Rees about the 22 years he spent there.

RogerReesRees, now in “The Addams Family,” won a Tony in 1982 for his star turn in the RSC’s “The Life and Adventures of Nicholas Nickleby,” and wide acclaim for his “Hamlet” in 1985.

But he began, as all actors do at the RSC, by carrying a spear.

“And a shield,” says Rees, now 67. “The shields were enormous. In ‘Julius Caesar,’ I died early in the scene and used to fall asleep under the shield until I was woken up by applause. You didn’t have any lines — other than ‘The Queen!’ or ‘Ah, my Lord’ — for four years.”

As a young man, Rees trained to be an artist. One day, while he was painting scenery 40 feet above the stage of the Wimbledon Theatre, Arthur Lane called up to him: “Would you like to be in a play the week after next?”

Lane was one of the last of the actor-managers — larger-than-life personalities who ran the theater and directed and starred in all the plays. There wasn’t much time to learn lines.

“Arthur tore up the script and distributed pages of it around the set,” Rees recalls. “Page 36 would be on the mantelpiece. ‘See here!’ he’d say, then move to the coffee table looking for Page 37.”

Rees’ agent got him a 10-minute audition for the RSC in 1965.

“They weren’t really looking for actors — they were looking for young, strong men who could push the scenery,” he says. “I auditioned and they said, ‘Go away. Your voice is no good.’ ”

A year later, after learning major roles at a theater in Scotland, Rees auditioned again. This time he was invited to join the company.

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The Addams Family Goes Green in New Public Service Announcement

The company of the Broadway musical comedy The Addams Family has partnered with the Broadway Green Alliance to create a creepy and kooky online public service announcement video to promote and inspire viewers to make more environmentally friendly choices in their everyday lives.

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New Commercial with Brooke

Here’s the updated commercial with Brooke Shields as Morticia.

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Brooke Shields IS Morticia

On Tuesday, June 28, THE ADDAMS FAMILY welcomed stage and screen star Brooke Shields in the role of Morticia.  Ms. Shields joined current Broadway cast members Roger Rees as Gomez, Brad Oscar as Fester, Rachel Potter as Wednesday, Jackie Hoffman as Grandma, Zachary James as Lurch, Adam Riegler as Pugsley, Heidi Blickenstaff as Alice Beineke, Adam Grupper as Mal Beineke and Jesse Swenson as Lucas Beineke.  Here is a first look at Shields and the cast!

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The Addams Family’s Rachel Potter chats with Broadway.com


Rachel Potter on Her Country Music Ambitions and Going Grim as The Addams Family’s Wednesday
By Michael Mellini, Broadway.com, June 23, 2011
photo by Jenny Anderson for Broadway.com
photo by Jenny Anderson for Broadway.com

Age & Hometown: “Old enough to drink”; Seminole, FL

Current Role: Making her Broadway debut as dour daughter Wednesday Addams in The Addams Family.
 
Disney Roots: Potter’s parents met in a rock ‘n’ roll band, so it was only a matter of time before she began taking voice lessons from her mother.  And yet “theater wasn’t even on my radar,” she says now.  “I wanted to be a recording artist and used to design my own album covers when I was a kid.”  That changed when Potter headed to Orlando for college and landed a job performing as The Little Mermaid’s Ariel at Disney World.  “I feel like I received most of my education at ‘Disney University,’” she says fondly.  The actress continued to play dress-up when she joined the Wicked national tour as a Glinda understudy.  “I fell out of the bubble my first time on,” she laughs.  “It was terribly embarrassing, but [the performance] still felt so special.”
 
Wednesday Every Day:  Transitioning from peppy Glinda to gloomy Wednesday wasn’t a drastic change, according to Potter.  A veteran of beauty pagents, she recalls, “I was never really like the other girls.  I was a little darker and a lot more serious.”  In any case, she sees more in Wednesday than her morose exterior:  “People have a tendency to assume she’s really monotone, but to me she’s incredibly confident.  She doesn’t apologize for the darker things she likes.”  Tony winners Roger Rees and Bebe Neuwirth helped shepherd their stage daughter through her Broadway debut.  “They’re such good mentors.  I can basically talk to them about everything,” she says.  She’s excited about welcoming new Morticia Brooke Shields, calling the actress “so nice and humble; she seems like such a joy to work with.”
 
Broadway to Nashville:  Despite a blossoming Broadway career, Potter holds on to her childhood dreams of becoming a recording artist.  She spends her time off from Addams working in a studio and hopes to have an album or EP released by the fall.  “I’m finally coming to a place where I know who I am and what kind of music I want to write,” she says, describing her sound as “pop country with a touch of rock.”  Potter believes the transition from show tunes to country crooning isn’t such a stretch these days.  “There’s a few people from the theater world doing country music now.  Laura Bell Bundy is doing so great, Kristin Chenoweth is branching that way.  They’re paving the way for people like me.”
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Opening Number From The 2011 Tony Awards

What a fabulous opening to the Tony Awards show last night! (And Brooke, we still love you – just proves you’re human!)

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Get a Peek at Brooke Shields as Morticia

Access Hollywood chats with Brooke Shields as she transforms into Morticia. (sorry for the commercials)

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Jackie Hoffman Announces Final Extension of Jackie Five-Oh! at Joe’s Pub

Jackie Hoffman

Jackie Hoffman

Addams Family cast member Jackie Hoffman (Grandma) has announced a third and final extension of her riotous cabaret “Jackie Five-Oh!”, which has added two more dates in May at Joe’s Pub.

Jackie Five-Oh!, a signature blend of Hoffman’s original tunes (penned with Bobby Peaco) and biting comedy, began performances in November 2010 and will play its final two Joe’s Pub shows on May 23 and 30 at 7:30 PM. As previously reported, Hoffman will offer a special 7:30 performance on May 2 as a benefit for the Actors Fund.

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The Addams Family Returns to Millionaire’s Club

The Addams Family on Broadway made it back into the Millionaire’s Club last week, for the first time since March!  Attendance for the week ending April 24, 2011 reached nearly 1.2 million, up 29.4% from the previous week.  Congratulations, Addams Family!  Keep up the good work. 

The 38 shows on the boards grossed $28,847,803, up almost 22% from last week.  The top grossing shows are listed below.

The Lion King, $1,911,078 
Wicked, $1,843,855 
Mary Poppins, $1,452,298 
American Idiot, $1,355,740 
The Phantom of the Opera, $1,325,964 
The Addams Family, $1,187,771 
Mamma Mia!, $1,167,769 
Jersey Boys, $1,166,314 
How to Succeed in Business Without Really Trying, $1,150,953 
Billy Elliot: The Musical, $1,146,401 
The Book of Mormon, $1,014,228

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Brooke is Morticia

In an inspired bit of casting, Brooke Shields becomes Morticia on June 28. Read about it in this excerpt from a Patrick Healy piece—

Brooke Shields. Morticia to be. (photo: AP)

Brooke Shields -- Morticia to be. (photo: AP)

Brooke Shields Will Be the New Morticia in ‘Addams Family’

By PATRICK HEALY
New York Times
March 31, 2011

Brooke Shields will continue her run as high-profile replacement actress on Broadway this summer when she takes over the role of Morticia in “The Addams Family” musical from Bebe Neuwirth, who will depart the show after 15 months.

The producers announced on Thursday that Ms. Shields will begin performances on June 28, on the cusp of the high summer season when many Broadway musicals have strong earnings thanks to tourists. Ms. Neuwirth will give her last performance on June 26; she is now playing opposite Roger Rees, who took over the leading man role of Gomez from Nathan Lane in mid-March.

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Break a Leg, Roger!

Roger Rees by Ken Fallin

Roger Rees as Gomez by Ken Fallin

Tonight’s the night. Roger Rees takes over the role of Gomez from Nathan Lane, and joins his old Cheers friend Bebe Neuwirth, Stay tuned for more details and/or gossip.

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Cue Roger!

Roger Rees makes for a dapper, charming Gomez.

Roger Rees makes for a dapper, charming Gomez. (Photo: NYP)

There has been a swell of anticipation over the last few weeks about Tony-Award-winning Roger Rees taking over the Gomez role.  Well the day is almost here. Read about it in this interview excerpted from the New York Post—-

‘Cheers’ to new Gomez

By FRANK SCHECK
New York Post
March 20, 2011

Roger Rees is on a roll. The Welsh actor, writer and director will slip into Gomez Addams’ spooky shoes in Broadway’s “The Addams Family” starting on Tuesday. It’s a high-profile role in a popular show with Bebe Neuwirth ­— his former “Cheers” co-star — as Morticia Addams. But it’s also an actor’s worst nightmare — replacing the celebrated Nathan Lane, who originated the role when the musical opened a year ago.

Best known in the US for his Tony-winning turn in 1981’s “The Life and Adventures of Nicholas Nickleby” and his more recent role as Lord John Marbury on “The West Wing,” the 66-year-old multi-hyphenate recently chatted with The Post about his current whirlwind.

Nathan Lane is probably the biggest star in musical theater today. Do you have any trepidation about stepping into his shoes?

Actually, I asked Nathan to leave his shoes by the armoire (laughs). Nathan is my hero. I’ve been writing fan letters to him for years. It’s an impossible task to do what he did, of course. But I so admire him. And he was really jazzed that I wanted to do it.

Your longtime partner, Rick Elice, co-wrote “The Addams Family.” Was it always part of the plan that you would someday play Gomez?

I don’t think Rick had anything to do with it, actually. I think they went through all the famous names and when there was no one left, they came to me. The first time I saw the show, in Chicago, I thought the part of Gomez was fantastic. It’s also Spanish, and that’s always funny. It’s a real people-pleasing show. I think if Shakespeare were alive today, he’d be lining up to play Gomez.

Is it tough to step into a role that’s been done by somebody else?

I’ve played Hamlet, and that’s been done before, too. You always steal something from someone else.

The show opened to dismissive reviews, although that doesn’t seem to have affected the box office. Was Rick discouraged by the critical reception?

Not really. I think everyone thinks they can write musicals. Everyone has an opinion, and I think that’s great. But in the end, people who can actually get up and write things are few and far between. It takes a lot of courage to actually do it.

This marks a reunion between you and Bebe Neuwirth, who plays Morticia. The two of you worked together on “Cheers,” when you played the arrogant English millionaire Robin Colcord.

Yes. I also directed and co-starred with her in a production of “The Taming of the Shrew.” And she starred in the musical revue “Here Lies Jenny,” which I conceived and directed here at the Zipper Theater. We’ve done a lot of things together. She’s very strong-minded. Everything’s got to be good. So I’m working very hard on my dancing.

You starred in the musical “A Man of No Importance” in 2002, but you’re not exactly known as a singer. How are you preparing?

There are special tablets you can take (laughs). But one thing I’ve learned from all the great people I’ve worked with, like Tom Stoppard and Trevor Nunn, is that you have to do everything you can to challenge yourself. Otherwise it becomes routine, and you might as well be working in a bank.

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